tag:blogger.com,1999:blog-3408702232633019386.post4642632421198266636..comments2023-07-12T18:32:28.149-07:00Comments on BN Fanzine: Chuck Schuldiner !BN Fanzine recuerda al caído!Jorge A. Trejos I.http://www.blogger.com/profile/17354399495604084151noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-3408702232633019386.post-62653146521025328662014-12-13T09:21:12.078-08:002014-12-13T09:21:12.078-08:00Gran artículo.
Con The Sound of... tengo sentimien...Gran artículo.<br />Con The Sound of... tengo sentimientos encontrados, ya que fue el que me introdujo al mundo del death metal hace ya algunos años.<br />Una gran carrera musical, para un grande de la música.<br />A parte que escuchar el bajo de Digiorgio en las ediciones remasterizadas es increíble, es enorme este señor.<br />Saludos desde Bogotá.Carlos Melonoreply@blogger.comtag:blogger.com,1999:blog-3408702232633019386.post-84823178920815592412014-11-13T19:23:50.661-08:002014-11-13T19:23:50.661-08:00Felicitaciones por tu excelente Blog... muy buen a...Felicitaciones por tu excelente Blog... muy buen articulo.c c chttps://www.blogger.com/profile/00804147080326857108noreply@blogger.comtag:blogger.com,1999:blog-3408702232633019386.post-51305942501480495122013-10-28T17:01:03.221-07:002013-10-28T17:01:03.221-07:00Hola AlfredoVader 1ro que todo gracias por sus pal...Hola AlfredoVader 1ro que todo gracias por sus palabras, nos complace mucho que encuentre interesante los contenidos de este blog. <br /><br />Segundo, sobre los drum programing de Gene Hoglan, tal vez tenga razón, pero por toda parte está escrito que se programó la batería. <br /><br />Pero me dejó pensando su comentario así que busqué un poco de información al respecto y encontré la siguiente entrevista con Gene H<br /><br /><br />Speaking of programming, I also wanted to ask you about taking on the challenge of playing drum parts that Devin has programmed but which may sound as if they are “unplayable” by a human drummer.<br /><br /> Let me backtrack a little on that. Roadrunner is re-releasing Death’s Symbolic album and putting some extras on it – some of the demos that we did. It was basically me programming my drum machine and then playing what I had programmed. You can kind of tell it’s a drum machine, but I hadn’t heard those songs in maybe thirteen years, since we made the record. Hearing these drums machine parts playing what I was doing, it made me think, "Wow, that’s really psycho!" But the way that that session started was that Chuck (Schuldiner, RIP) had programmed all the songs on his drum machine and he was like, "I’m just learning how to do this, so my programming was pretty rudimentary." But he did a really good job of programming, so it gave me a good idea of where to step off from. I could hear what he wanted from, say, the double kicks and it gave me a chance to take his idea and augment it – or “Gene-ize” it, I suppose – but there are a lot of times where a guitarist programming a drum machine will not realize that he’s programming a fill that sounds like a drummer has to have three hands or six legs [to play it] and that a whole part is totally psycho. So, if you give me that kind of a part to go off on then hell yeah, I’ll play it! If you’ve taken the brain work to program something really nutty and crazy and psychotic sounding, then that must be your vision. It’s up to me to see your vision through.<br /><br /> I think that somebody like Bobby Jarzombek – he’s done the Spastic Inc stuff with his brother Ronny as well as [playing with] Sebastian Bach, Halford and Iced Earth and all the amazing bands he’s been in – is really good at doing the exact same thing; making himself sound like a drum machine. He’s an amazing drummer and he’s psychotic.<br /><br /> Every time Devin has ever programmed something, he tries to program things that he thinks I can’t play. He’s always like, "Ah, you’ve foiled me again!" (Laughs) It’s fun to challenge yourself and go the extra step. You could do your version of it, which would probably be a whole lot simpler, not as much work and not as challenging, but something you could pull off easier. But screw it, throw caution to the wind and play that super technical part that they programmed to try to do it just like the drum machine could. Because then it makes you sound…it’s actually you playing it. You didn’t create it but you played it, so you end up getting the credit for it anyway (laughs)!<br /><br /><br />Al parecer tocó a partir de unas baterías programadas por chuck, de todas formas es uno de los discos que más me gustas de Hoglan en la batería y por supuesto de Death.<br /><br /><br />un saludo hombre, suerte !m!Jorge A. Trejos I.https://www.blogger.com/profile/17354399495604084151noreply@blogger.comtag:blogger.com,1999:blog-3408702232633019386.post-85336925834265627982013-10-28T13:18:28.934-07:002013-10-28T13:18:28.934-07:00Buenas tardes; primero que todo felicitarlos por s...Buenas tardes; primero que todo felicitarlos por su excelente blog.<br /><br />En lo que tiene que ver con el comentario que hacen respecto de la grabación del inmenso "Symbolic" de Death, la admiración por el trabajo de batería de Hoglan no es susceptible de desmedro alguno. Me permito hacer una pequeña corrección para despejar esa decepción de que hablan.<br /><br />Efectivamente hubo programación de batería, y por parte de Hoglan, pero para el demo y los trabajos de preproducción, más no para el producto final. <br /><br />Esos demos, con la batería programada, se pueden escuchar en el CD 2 de la reedición de Symbolic de 2008. Incluso en esos demos hubo participación de Steve Digiorgio en el bajo.<br /><br />Saludos<br /><br />AlfredoVaderhttps://www.blogger.com/profile/10398546522182615009noreply@blogger.com